George Platt Lynes, courtesy Throckmorton Fine Arts
We now live very much in the Age of George Platt Lynes, a miraculously queer photographer who died in 1955 at the age of 48 of lung cancer. Whenever you see a stop-in-your-tracks image of a young, well-built, sexually enticing man in an isolated setting—in other words, what you’re looking at is the man, either alone or with another man, nude or with as few clothes on as possible, and that’s it—you’re staring at a George Platt Lynes image.
It can be a gym-sleek ad for GNC, a hot fashion shot for Armani, one of those Abercrombie & Fitch creatures dripping innocent sweat and sex, 2-Xist or Calvin Klein, Dolce and Gabbana, or Dolce and anything: all George Platt Lynes. He did it first, and better, and he knew how to knock your eyes out with a kind of sweet effortlessness that took a genuine dollop of genius to create.
Who was he, and how did he do it at a time when you could not even send nude shots of the men he photographed through the mails without risking arrest?




