video by Baad Lamb
Tuesday, July 2, 2019
Monday, July 1, 2019
World Pride March - New York City - June 30, 2019
Saturday, December 9, 2017
First Snowfall!
The first snow of the season has arrived gently.
Stuyvesant Square earlier today.
(Photo by the Baadlamb)
Stuyvesant Square earlier today.
(Photo by the Baadlamb)
Monday, November 13, 2017
Robert Sorrell - Jeweler To The Queens Of The Imperial Court
Have you ever wondered where those queens get their gorgeous bling? I loved meeting and interviewing Robert Sorrell. I hope you'll enjoy reading his story. He is a native New Yorker and 100% pure NYC Gay. Out today on SFGN.
Monday, June 26, 2017
NYC Pride March 2017 - Corner of Gay Street and Christopher Street
This year, it wasn't just banks, bars and boys. It was RESIST! It was edifying to see so many young people - gay and straight - turn out to tell Trump where to get off.
Monday, February 20, 2017
NOT MY PRESIDENT'S DAY Rally On The UWS
On the Upper Westside today, there was a "NOT MY PRESIDENT'S DAY rally. Mailboxes were locked down to avoid the possibility of bombs (or trash?) being put inside them. Our block was entirely barricaded as a secondary entrance and escape route to or from the rally. QNY friend Brian Griffin was there! Lots of clever signs. The crowd gathered in front of the Trump Hotel near Columbus Circle. Photos by the Baad Lamb.


Sunday, January 1, 2017
The gay couple of the new 2nd Avenue subway
My husband the Baad Lamb posed with the mosaic gay couple in the newly opened 2nd Avenue line. One station had mosaics by Chuck Close. Another had mosaics by Vik Muniz. Glorious!
Saturday, December 31, 2016
QNY blogger David Frank Ray has died.
I'm sad to report that David Frank Ray who was part of the QNY team during its early days, and who wrote as "Darling" has died. I will miss him very much.
Thursday, December 8, 2016
My book ENDING ANITA has been published.
I'm please to announce that my book ENDING ANITA - How Two Key West Bartenders Won Gay Marriage For Florida has been published and is available on Amazon.


Sunday, April 24, 2016
Won’t Be a Ghost, by Tight Braid Group

After a two-year workshop period, the play Won’t Be a Ghost, by Tight Braid Group, premiered on Friday, April 15, 2016, at the Brick Theater in Brooklyn.
I was unable to attend the premiere, but did make it to following night’s performance. Word of mouth must have been great because the theater was sold out, and there was a great effort of accommodation made to seat all comers, locating cushions and extra chairs that could be placed on the floor in the front of the regular seats on the risers.
Won’t Be a Ghost has an intriguing script that weaves together the stories of Magnus Hirschfeld, the influential yet unheralded German sexologist and sexual minorities activist known as “the Einstein of sex”, and Chelsea (born Bradley) Manning, the US Army intelligence specialist and trans woman recently convicted of passing classified documents to WikiLeaks, who is now undergoing hormone replacement therapy in prison.
The play also features a Greek chorus consisting of multiple queer genders, and doubling nicely as the members of Dr. Hirschfeld’s household and intellectual circle. They help to transition and tie together the time-jumping story line, and get to perform a clever scene with arrows and a dancing, bloodied St. Sebastian.
I was glad I got to see this ambitious play. Although well aware of just how vital queer- and trans- gender issues remain to the continuing struggle for LBGT equality today, I knew little about the underlying story of either protagonist in Won’t Be a Ghost. After returning home I went running to the Google machine to learn all I could about both.
Wednesday, March 9, 2016
Judy Garland's Apartment In The Dakota Is For Sale
and who wouldn't want it? It has a courtyard view, but is there a park view as well? Not a minor detail. Love those wall colors! And yes, I'd unseal at least some of those fireplaces.
Friday, February 19, 2016
Sunday, January 31, 2016
Bernie Sanders supporters march in NYC
Video by the Baadlamb. Yesterday, January 30, 2016.
Thursday, December 10, 2015
Can The Self-Respecting Gay Vote Republican?
My opinion about gays voting Republican, online and in print in South Florida Gay News
http://southfloridagaynews.com/…/column-can-the-self-respec…
Tuesday, December 1, 2015
World AIDS Day
I didn’t know him well until that crazy night when we made newspaper miters for our heads and danced to the Allman Brothers’ “Ramblin Man” like two frenzied bishops on the coffee tables of the student lounge of Our Lady Of Angels Seminary in a small town an hour out of Albany. That is what you did in the seminary when you found a soul mate.
Monday, July 28, 2014
No Strings Attached

Monty and Luis have had a happy romantic partnership for ten years. A chance encounter with Stefan, a sexy, mysterious waiter, disrupts their cozy lives: both Monty and Luis have a secret connection to him. Monty comes from a happy Italian family; Luis was raised over a bar by his shady Grandma. Stefan has trouble pinning down exactly where he came from though parts of his past are on display all over the internet. The three men’s lives intertwine in a number of surprising, romantic and potentially devastating ways. No Strings Attached stars Casey Burden as Monty, Afrim Gjonbalaj as Luis and Kevin Perez as Stefan and is directed by Robert Teague.“There are so many hot men in New York and I want to f—k all of them. If I can’t I would at least like a representative sampling.”
No Strings Attached (originally titled NSA) premiered at the Stage Left’s Left Out Festival in April with two sold-out performances. NY Theater Now, said: “Three highly individual, richly fleshed-out characters. They behave like real people rather than constructs or archetypes. It’s a real privilege to spend time with them…indulging along with them in their fantasies and foibles. We care for them when our time with them is over.”
Igrejas’ previous plays include Shrinkage, Kitty and Lina, Miss Mary Dugan, Hassan and Sylvia (both won Fresh Fruit Festival Best Play Awards), Margarita and Max (winner Best Short Play, Midtown Festival).
Info and tickets.
Running time – 90 minutes
All performances are at Stage Left Studio, 214 West 30th Street, 6th floor, NYC. Convenient to the A,C,E,B,D,F,N,R,1,2 and 3 lines
Tickets $18 (plus $2 ticketing surcharge)
Wednesday, July 2, 2014
Rich Morel. Hot Sauce. Ptown. Bear Week. Questions?
Thursday, June 5, 2014
Queens Pride
As we moved through the crowd, we got schooled on how to celebrate Gay!
Wednesday, May 28, 2014
29x/y - A New Play By Marcus Yi
Having seen The Procedure, we were eager to see Marcus Yi's latest play. If you're in NYC this coming weekend and have an appetite for raw, experimental, youthful, casual and fun theater, your last chance to see his 29x/y will be Saturday at 11AM or Sunday at 1:30PM.
From the author's website: "29x/y is a collage theater piece. 29 segments written in 29 days in the 29th year of the playwrights life, this is a play that fuses monologues, songs, dance and experiments in theatrical statements. Confessional monologues from a bathhouse, fag hag haters, dysfunctional ex-lovers, dancing Republicans, eccentric want-ads and Super Mario fetishists all make an appearance to help you understand the meaning of 29x/y."
I'm glad I went, but I remain convinced that what Yi needs is a good editor because the contents of both plays range from the very good to the very bad. For instance, in 29x/y, there is a slide show on a side wall of the theater going on during the play. It adds nothing to what happens on stage. After the play, I learned that in an earlier production elsewhere, those slides were an integral part of the set, forming the background to the action. The logistics of this performance space did not permit that, so Yi chose to have someone sitting in the front row working a slide projector aimed at one side of the audience space. No. (If you go, try to ignore the slides and the awful light from the projector.)
Surprisingly funny—because as a gimmick it could have been both annoying and flat— were two scenes in which the characters repeat only one word or phrase, such as "whatever," throughout the bit. I'd gladly watch those scenes again.
29x/y contains a whole slew of really good young actors who perfectly inhabit Yi's material. They seem very much at home in his head where they frequently and smoothly rearrange the furniture and the action giving us a well-paced composite that is engaging and humorous.
Two performers stand out. Caroline Mahoney elevates a bit about hamsters with adroit and polished delivery adding savory ingredients to the material.
Monique Sanchez has that rare and indefinable kind of stage presence that doesn't allow you to take your eyes off her. Her delivery is instinctive. While others have to tell their face or limbs what to do on stage, she seems to simply flip a switch at each entrance and suddenly the lighting and the action around her seem brighter. Watching her, I kept thinking of Julie Halston or Christine Baranski. I hope she has a long and wonderful performing career.
29x/y is a "Hey, it is what it is" kind of play. Marcus Yi continues to pursue his colorful route as a playwright like someone blindfolded and rowing a boat under the Bow Bridge in Central Park. He'll take us on a lively ride, bumping into things that almost capsize us. A good editor/advisor would make for a smoother excursion, but we don't say no to the possibility of future outings.
From the author's website: "29x/y is a collage theater piece. 29 segments written in 29 days in the 29th year of the playwrights life, this is a play that fuses monologues, songs, dance and experiments in theatrical statements. Confessional monologues from a bathhouse, fag hag haters, dysfunctional ex-lovers, dancing Republicans, eccentric want-ads and Super Mario fetishists all make an appearance to help you understand the meaning of 29x/y."
I'm glad I went, but I remain convinced that what Yi needs is a good editor because the contents of both plays range from the very good to the very bad. For instance, in 29x/y, there is a slide show on a side wall of the theater going on during the play. It adds nothing to what happens on stage. After the play, I learned that in an earlier production elsewhere, those slides were an integral part of the set, forming the background to the action. The logistics of this performance space did not permit that, so Yi chose to have someone sitting in the front row working a slide projector aimed at one side of the audience space. No. (If you go, try to ignore the slides and the awful light from the projector.)
Surprisingly funny—because as a gimmick it could have been both annoying and flat— were two scenes in which the characters repeat only one word or phrase, such as "whatever," throughout the bit. I'd gladly watch those scenes again.
29x/y contains a whole slew of really good young actors who perfectly inhabit Yi's material. They seem very much at home in his head where they frequently and smoothly rearrange the furniture and the action giving us a well-paced composite that is engaging and humorous.
Two performers stand out. Caroline Mahoney elevates a bit about hamsters with adroit and polished delivery adding savory ingredients to the material.
Monique Sanchez has that rare and indefinable kind of stage presence that doesn't allow you to take your eyes off her. Her delivery is instinctive. While others have to tell their face or limbs what to do on stage, she seems to simply flip a switch at each entrance and suddenly the lighting and the action around her seem brighter. Watching her, I kept thinking of Julie Halston or Christine Baranski. I hope she has a long and wonderful performing career.
29x/y is a "Hey, it is what it is" kind of play. Marcus Yi continues to pursue his colorful route as a playwright like someone blindfolded and rowing a boat under the Bow Bridge in Central Park. He'll take us on a lively ride, bumping into things that almost capsize us. A good editor/advisor would make for a smoother excursion, but we don't say no to the possibility of future outings.
Paradise Factory, at 64th E. 4th St New York NY 10003.
For tix: http://planetconnections.org/29xy/
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