Posted Mondschein
The Submission, presented by MCC Theatre at the Lucille Lortel Theatre, September 11, 2011
Writing a play is a daunting task. Getting a new play produced takes "daunting" to exponential levels.
Danny
(Jonathan Groff) has been writing for a couple of years, trying to get
established on the new play festival circuit. In a unexplained fit of
inspiration, he writes a fresh, powerful and highly provocative tale of a
young African-American trying to escape from the life his family has
led for generations. He shows it first to his best friend Trevor (Will
Rogers), an aspiring actor, who gives him the first inclination that
he's written something very special. Danny finally shows it to his
boyfriend Pete (Eddie Kaye-Thomas), who echoes the praise.
Danny,
however, has already made submissions to several new play festivals and
has just been accepted by the renowned Humana Festival. All sounds
good, looks positive - except for one thing: Danny has submitted under a
name that suggests a woman of recent African-American extract. He
justifies the action on the rationale that no festival committee would
take him seriously as the author of such a play. With the pseudonym,
the subject matter doesn't conflict with its source, and it seems to
have worked.
Showing posts with label MCC Theatre. Show all posts
Showing posts with label MCC Theatre. Show all posts
Thursday, September 29, 2011
Friday, July 8, 2011
Side Effects
"Side Effects" presented by MCC Theatre at the Lucille Lortel Theatre, June 30, 2011
(photo by Joan Marcus)
Michael Weller returns to MCC Theatre with the other side of the story from 2008's Fifty Words. He's got a little more to say this time around, but it's the performances that make the visit worthwhile.
Bipolar Melinda (Joely Richarson) doesn't like to take her medicine, which frustrates her politically ambitious husband Hugh (Cotter Smith) to no end. With two sons echoing Melinda's polar split (perfect son vs. screw-up son), both Melinda and Hugh maintain a total disregard for human nature that encourages this. Their relationship devolves quickly as Hugh's political star begins to rise. Melinda is angry at being dragged along the for the ride and takes every opportunity to spoil the possibilities. Hugh remains the definition of calm, cool and collected, until Melinda pushes him over the edge following the boys' car accident with her own breakdown. Melinda's affair with Adam (from Fifty Words) shows up to push the plot along, but feels contrived since it's no more than a couple of one-sided telephone calls for exposition.
(photo by Joan Marcus)
Michael Weller returns to MCC Theatre with the other side of the story from 2008's Fifty Words. He's got a little more to say this time around, but it's the performances that make the visit worthwhile.
Bipolar Melinda (Joely Richarson) doesn't like to take her medicine, which frustrates her politically ambitious husband Hugh (Cotter Smith) to no end. With two sons echoing Melinda's polar split (perfect son vs. screw-up son), both Melinda and Hugh maintain a total disregard for human nature that encourages this. Their relationship devolves quickly as Hugh's political star begins to rise. Melinda is angry at being dragged along the for the ride and takes every opportunity to spoil the possibilities. Hugh remains the definition of calm, cool and collected, until Melinda pushes him over the edge following the boys' car accident with her own breakdown. Melinda's affair with Adam (from Fifty Words) shows up to push the plot along, but feels contrived since it's no more than a couple of one-sided telephone calls for exposition.
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