by baad lamb
Go here first if you have not already read about Nicola Verlato and Evol at the Jonathan LeVine Gallery April 7th to May 5th.
Loved the show! But I also had 8PM ticket to Dance Brazil at the Joyce, so I was unable to spend as much time as I'd have liked (gallery opened at 7). One thing I forgot to do was consult the price sheet so I would know how much each of these artists currently command for their work. I will go back, since the show is up till May 5th, and I strongly encourage everyone to check it out. Like the best movies, Verlato should be seen "on the big screen," and Evol's meticulous precision is best appreciated very close up.
The stark contrasts between these two artists may be the point of showing them together. Verlato's compositions are all about Renaissance realism, with so much color and motion that people are literally flying through the air, while Evol's people-less architectural waste-scapes are so still and silent and cardboard-beige they feel totally airless. But they share the stage in at least one important aspect: the painstaking, time consuming process of bringing their visions to fruition. Whether Evol's smallest piece of found cardboard or Verlato's epic canvases, the sketching, refining, painting, cutting, masking, spraying, masking and spraying again, touch-ups and tiny finishing details all track a similar hands-on style of slow and deliberate craftsmanship that is increasingly rare in our instantaneous internet twitterverse. If they were to meet up, I'll bet they'd spend a lot of time sharing frisket tips and techniques.
Tons of pics after the jump...
