Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Monday, March 28, 2011

How To....Succeeds

Posted by David

Resisting any and all temptation to invoke metaphors that involve magic or sorcery, I will simply say that the new revival of How To Succeed In Business Without Really Trying starring Daniel Radcliffe (of Harry Potter fame, for those who live under a rock), is pure, blissful entertainment from start to finish.

Radcliffe, who made his Broadway debut in Equus in 2008, is back on the boards again. Although this time, instead of playing a terribly disturbed young man in a mental institution, he now plays a terribly ambitious man in a corporate institution.  And he sings!  And dances!  He is joined by veteran television actor John Larroquette and a cast brimming with talent and enthusiasm in a candy-colored production that nearly blows the roof off the Al Hirschfeld Theater on 46th Street.


Sunday, October 10, 2010

A Little Night Music 2.0 - A Review

Posted by David
I recently had the pleasure to attend a performance of the current revival of Stephen (can we just canonize him and be done with it?) Sondheim's musical A Little Night Music, performing at the Walter Kerr Theater.  The production originally opened starring Catherine Zeta-Jones along with Angela Lansbury.  These two leading ladies have left the production and their roles are now being assayed by Broadway veterans Bernadette Peters and Elaine Stritch, respectively.

I did not see the production with original cast of Zeta-Jones and Lansbury, so I cannot compare the current incarnation to the previous, and perhaps that is for the best as I would have hated to have that little comparative voice whispering in my head throughout the performance and spoiling my fun.

Friday, May 21, 2010

Restoration

Posted by Mondschein

“Restoration” at New York Theatre Workshop, May 18, 2010

(photo: Joan Marcus)

Claudia Shear’s latest play is a funny and thoughtful story of an art conservator who restores more than just the appearance of the objects on which she works.  Returning to NYTW, where her last success “Dirty Blonde” began its journey to a 2000-2001 Broadway run, Ms. Shear’s new protagonist is quite the polar opposite from Mae West. 

Restoration explores the politics of art, beauty, love, fidelity and redemption.  Giulia (Ms. Shear) moved from Italy to Brooklyn with her family at the age of 8.  Now writhing through middle age, she remains single because, as she herself tells it, “I’m weird, aggressive and successful.”  As the play begins, she has lost her position in the art world following the insults over a peer’s restoration technique that resulted in a lawsuit against her.  Her life-long mentor/father-figure Professor (Alan Mandell), who abandoned her during the trial has arranged for her to restore Michelangelo’s David for its 500th anniversary.  Museum security guard Max (Jonathan Cake) becomes her unlikely friend.  Hot and handsome with an archetypal married man’s Italian roving eye, he quotes poetry and classical literature as he flirts with all visitors skirted.  Museum board member Daphne (Tina Benko) blond, beautiful and intimidating, challenges Giulia personally and professionally, testing her knowledge, skill and self-confidence.  Museum director Marciante (Natalia Nogulich) is generally supportive, but circumspect.

Thursday, March 25, 2010

QNY Snapshot: Playwright Joe Marshall

Posted by David

In June of 2009, Joe Marshall and his partner moved to New York City from Phoenix.  Never in his wildest dreams did he think that six months later, a play of his would be premiering Off-Broadway.

But that is exactly what happened, through a combination of good timing, good luck and good connections.

Friday, February 12, 2010

Clybourne Park

Posted by Mondschein

"Clybourne Park" at Playwrights Horizons, February 6, 2010


Bruce Norris' new play tells the tale of an urban neighborhood, specifically one house as it suffers and recovers from white flight over the course of 50 years.


(Spoiler alert)



In 1959, Bev (Christina Kirk) and Russ (Frank Wood) are fleeing the pain of losing their Korean War veteran son to suicide following accusations of war crimes.  They've relinquished responsibility for the sale of their house to the realtor who has sold it to a black family, the first in the neighborhood.  Russ' depression has practically paralyzed him, so Bev has called Jim (Brendan Griffin) their pastor for a little counsel.  As news of the sale gets out, Russ' co-worker Karl (Jeremy Shamos) and his hearing-impaired and pregnant wife (Anne Parisse).  Francine (Crystal A. Dickinson), Bev and Russ' maid and her husband Albert (Damon Gupton) get dragged into the discussion about the impact of the property's sale on the rest of the homeowners in the area.