Last night, we went downtown to see Seth Tucker’s “Our Kiki,
A Gay Farce.” This is Tucker’s first full-length play and his first go at
directing a full production. I am happy to report that he has delivered a
delightful mid-summer romp, perfectly illustrating the value of the New York
International Fringe Festival (Aug 9-25, 2013, www.fringenyc.org) as a foot in the door
for promising writers who, with continued luck, will deliver more and better.
“Our Kiki, A Gay Farce” (https://www.facebook.com/Ourkikitheplay) is full of laughs and fine
performances. I didn’t at all mind that the premise—a gay couple’s need to
involve a female friend in a sham wedding in order to secure a green card— is outdated given the recent fall of DOMA. Funny is funny, and I hope Mr.
Tucker understands the value of this compliment when I say that he may, with
repeated ups at bat, learn to knock his laughs out of the park just like the
venerable Charles Busch in whose lineage he may find himself.
We are sometimes tempted to be dismissive of farce, thinking
that it’s what writers deliver when they drink rather than think, but
structuring a farce correctly ain’t easy. Tucker has the comic instincts needed
to dole out the situations and the complications with smooth control. He hooks us happily into the craziness that results when a snow storm prolongs an
immigration official’s visit to the apartment shared by the gay couple hoping
to remain intact (via the green card) and their friends, a complicit straight
couple. Tucker’s farce follows the
classic formula so well that I fully expected the final moments to be delivered
in rhyming couplets.
I particularly liked the scene in which the immigration
officer is grilling the supposed straight couple about the details of their
life together while the gay boyfriend (played by Tucker) stands hidden behind
the sofa frantically doing charades to help Molly (his BFF pretending to be
marrying his boyfriend Matt, and played deliciously by Brianna Lauren) give the
right answers. An intricate and demanding bit very well executed by all
involved.
The evening was not perfect. Too many good lines fell flat,
not because of bad acting—the six member cast contained not a single weak
link—but maybe because of insufficient scrutiny on the part of director Tucker
who had more than enough to do as writer and lead actor. For instance, the
characters George (the immigration officer played by Stuart Green) and Charlie (the
taxi driver played by Larry Ray) seemed to exist in some inferior play despite
the fact that the actors doing them seemed skilled and up to the task. More of
their lines should have gotten laughs. Also, the hot straight guy, Andrés,
played by magnetic Chris Costa—justifiably shirtless on occasion—made me wince by
recoiling with exaggerated homophobic horror whenever his knee was touched by a
lustful man. His overreaction was unrealistic given that he shares his daily
life with gay men. The character needs a bit of tinkering in that regard. Tucker
should even consider letting him flirt a bit more with his pursuer. Matt (the
foreign half of the gay couple played by Peter Graham) receives repeated urging
to “butch it up” in front of the immigration officer. This becomes tedious
rather than funny. Also, repeated schtick in which someone scares someone by
sneaking up behind him and screaming soon became annoying and ought to be
dialed way back. None of these minor complaints derail the farce.
Throughout the evening, I kept wondering to what extent this
kind of writing and performing is instinctive and cannot be taught. I suspect
that Busch’s earliest works may also have been heavier on promise than
delivery, and I made a plan to review some video of those early performances to
appreciate how a talent like Charles Busch or Seth Tucker gets his stride, makes
his words more dazzling and his players increasingly airborne, and learns to
wring bigger and more frequent laughs from his audience.
I’m glad I saw the funny “Our Kiki, A Gay Farce” and I am
eager to see what Seth Tucker does next.
Remaining dates:
Friday 8/16 @ 4:30
Sunday 8/18 @ Noon
Sunday 8/25 @ 1:45
The Connelly Theatre
Venue #6
(220 E. 4th st., NY)
Sunday 8/18 @ Noon
Sunday 8/25 @ 1:45
The Connelly Theatre
Venue #6
(220 E. 4th st., NY)
Tix: www.fringenyc.org
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