The Secret Theatre: Don We Now Our Gay Apparel

Femme Fatale Theater and Secret Theatre present:
Queer Not Cool
Part of The Secret Theatre Late Night Series

Saturday, December 14 at 8:00PM

Don We Now Our Gay Apparel info and tickets

THE “DARLING OF DOWNTOWN CABARET” RINGS IN THE HOLIDAYS WITH
THE JOHN HUME & FRIENDS CHRISTMAS SPECTACULAR!
Featuring MILA HENRY on piano

Haul out the holly and celebrate a queer-tastic Christmas when the “darling of downtown cabaret” John C. Hume opens his heart, his home and his legs to spread merriment, good cheer (and his legs) in his new show, The John Hume & Friends Christmas Spectacular!

NY Times Lensblog: Being Seen Inside An Unseen World

NY TImes Lensblog: Being Seen Inside An Unseen World

Gerard H. Gaskin’s photos of the vibrant, underground house ballroom scene, celebrated by mostly gay and transgender black and Latino men, have earned him recognition as a “Trinidadian Andy Warhol.”  See and read more at the link above.  Article by Whitney Richardson.

The (Curious Case of the) Watson Intelligence

Posted by Mondschein

The (Curious Case of the) Watson Intelligence, at Playwrights Horizons, November 16, 2013

Madeleine George's gimmicky new play, a riff on sidekicks named Watson and their roles in history (real and fictionalized), is Playwrights Horizons' latest commission to reach their mainstage.

The concept has merit, four Watsons all played by the same actor (John Ellison Conlee) flanked by three Mr. and Mrs. Merricks (David Costabile and Amanda Quaid), covering Sherlock Holmes' doctor friend, Alexander Graham Bell's assistant Thomas Watson, a computer repairman dweeb Josh Watson, and a fictional computer successor to IBM's 2011 Watson (a contestant on television's Jeopardy!). 

Playwrights Horizons discount offer - The (Curious Case of the) Watson Intelligence

Posted by Mondschein

"The (Curious Case of the) Watson Intelligence" at Playwrights Horizons

DISCOUNT TICKETS TO THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE for YOUR READERS:

Regular run:  Nov 15-Dec 29
Tues-Wed at 7, Thu-Fri at 8, Sat at 2:30 & 8, Sun at 2:30 & 7:30

Order by Dec. 2 with the code WATBLOG and tickets are $45 (reg. $70) for all performances Nov 15-Dec 29

Online  www.ticketcentral.com/playwrightshorizons/online/

Call Ticket Central at (212) 279-4200 Noon to 8PM daily
In Person: Ticket Central Box Office, 416 W. 42nd Street between 9th & 10th Avenues

PH Mainstage Theater, 416 West 42nd Street between 9th & 10th Avenues

All That Fall

Posted by Mondschein

"All That Fall" at 59E59 Theatre, November 10, 2013

(Photo by Carol Rosegg)

All was gray - the afternoon, the audience, and for the most part, the somewhat starry cast, featuring Eileen Atkins and Michael Gambon, arrives from London (mostly) in this minimally staged radio play by Samuel Beckett, directed by Trevor Nunn. 

The story, being Beckett, is a bit nihilist, about an older woman of questionable health making her way to meet her blind husband at the train station.  We shuffle along with Mrs. Rooney (Ms. Atkins) as she encounters a menu of rural British characters, the dung peddler Christy (Ruairi Conaghan) on his cart, the retired Mr. Tyler (Frank Grimes) on his bike, the Clerk of the Racecourse Mr. Slocum (Trevor Cooper) in his car, each in advancing means of transportation, but none speeding the dreary tale along.  The aptly named Miss Fitt (Catherine Cusack), a protestant zealot gives Mrs Rooney the final bit of assistance upon arrival at the station.

The Patron Saint of Sea Monsters

Posted by Mondschein

"The Patron Saint of Sea Monsters" at Playwrights Horizons, October 26, 2013

PH continues to develop new work for the stage, with this new play running in their Peter Jay Sharp Theater by Marlane Meyer.  Develop is an accurate description in this case because, in addition to being a preview performance during which new changes were being performed for the first time, the play still needs a lot of work.

The premise is interesting: how people are perceived and how relationships can bring change to those involved either because of, or in spite of those perceptions.  (That's my take, at any rate, since it took well into Act 2 for that theme to emerge.)