All That Fall

Posted by Mondschein

"All That Fall" at 59E59 Theatre, November 10, 2013

(Photo by Carol Rosegg)

All was gray - the afternoon, the audience, and for the most part, the somewhat starry cast, featuring Eileen Atkins and Michael Gambon, arrives from London (mostly) in this minimally staged radio play by Samuel Beckett, directed by Trevor Nunn. 

The story, being Beckett, is a bit nihilist, about an older woman of questionable health making her way to meet her blind husband at the train station.  We shuffle along with Mrs. Rooney (Ms. Atkins) as she encounters a menu of rural British characters, the dung peddler Christy (Ruairi Conaghan) on his cart, the retired Mr. Tyler (Frank Grimes) on his bike, the Clerk of the Racecourse Mr. Slocum (Trevor Cooper) in his car, each in advancing means of transportation, but none speeding the dreary tale along.  The aptly named Miss Fitt (Catherine Cusack), a protestant zealot gives Mrs Rooney the final bit of assistance upon arrival at the station.

WORKING

Post by Mondschein

"WORKING" presented by Prospect Theater Company at 59E59 Theatre, December 12, 2012

(photo: Richard Termine)

Prospect Theater Company presents a new re-working of the 1978 musical based on Studs Terkel's book, with two new songs by Lin-Manuel Miranda. 

The streamlined cast of six replaces the seventeen from the original Broadway production, slicing and dicing the remains into a tight 65 intermissionless minutes. 

Director Gordon Greenberg has assembled a talented and capable cast to portray the 25 remaining stories, including Marie-France Arcilla, Joe Cassidy, Donna Lynne Champlin, Jay Armstrong Johnson, Nehal Joshi and Kenita R. Miller. 

Some moments stand out more than others: Ms. Champlin's Rose Hoffman, an aging and out of step teacher who sadly reflects on the degradation of respect for her role in the lives of children over her 45 years in the classroom with Nobody Tells Me How.  She gives another clever moment as the waitress Delores Dante in It's an Art responding to the question, "just a waitress?"  Mr. Johnson gets a nice turn as well as pervy UPS delivery man, Conrad Swibel.
The juxtaposition of Ms. Miller's hooker to Ms. Champlin's high society fundraiser points up how the two roles are more similar than different.

My father always said, "if it were fun, they wouldn't call it 'work'," and for the most part he was right.  Still, of the 25 working stories, there are remarkably few that really expressed any joy.  As much time as we spend working, an uplifting evening of work stories and songs would have more appeal.

WORKING runs through December 30.  Tickets here.